We've been here since early 2014 and we have receieved a few testimonials on our website, but as of late 2018 we have moved our review serction to Google and Facebook. If you would like to let us know your experience with Web For Actors we would love to hear from you.
Donald Pittman - Web For Actors client
Many websites for the price of one! I can switch my template whenever I feel like a change. I'm sticking to one for now, but it's pretty impressive. It's definitely worth the peanuts you guys charge for it. Tremendously great job.
Actor Website Tips | If you have a good reel, put it (or a link to it) on the homepage along with resume and headshots.
If your reel is impressive and of a great quality I would even recommend putting it on the homepage instead of your main image, but in any case you still want your reel easily accessible.Even if your reel is very short...
Fun Facts | Websites for Actors
Build your #actor #website instead of counting sheep.
Actor Casting Hints | Impress Casting Directors
Sending thank you notes? "It was great to meet you. Thanks for having me in." Signed. Sealed. Delivered.
Actor Dictionary | Back-End Payment
Also commonly referred to as "participation" or "contingency", a back-end payment is a type of compensation usually given to an above-the-line talent on a film. This means that the talent will receive a percentage of the revenue generated after the film is completed and is typically given to the talent in addition to his or her fixed upfront fee. This could include box office sales, foreign sales, VOD sales, DVD sales, and sales from other ancillary markets. How the back-end payment is defined varies from project to project, and depends solely on what the talent negotiates. Often times the agent will negotiate this deal. The talent may negotiate for "gross-participation" in which the talent receives a percentage of the revenue before certain expenses have been deducted. This is often referred to as "First-Dollar-Gross", which is every talent' objective to attain in a back-end negotiation. In other words, as soon as the first-dollar of revenue has been generated, the talent starts receiving a percentage of that revenue. The talent may negotiate for a percentage of "distributor' adjusted gross" which means that the talent will receive a percentage of the revenue after a defined break-even point has been reached. The talent may also negotiate for a percentage of "net-profit", however, this is type of deal is rarely done as a film, according to standard accounting principles, rarely reaches net profit.
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